Deliverance (1972)

What happens in the woods, stays in the woods

This is the grandfather of backwoods films. It's an adventure/thriller/drama but one that would be an inspiration for a number of horror films about country folks who now look all but merely simple. It has a basic plot but what makes it so iconic is a powerful and memorable delivery that has the capability to get stuck in one's head whenever thinking about the great outdoors, never mind trekking 'em. The film creates one of the most uncomfortable scenarios for any man to find himself in with villains that can't be shaken from one's mind with neither look nor their over-the-top lines. Not to mention anytime someone sees a banjo they might mention "Deliverance" out of habit, possibly without even seeing the film. The characters experience nature minus all of the distractions of technology from paddling in canoes to hunting and sitting around a fire and bonding, though it gets turned into a treacherous tale that even when seeing the light at the end of the tunnel, the recollection of the dark side that they went through to get there never truly goes away.

A group of anxious guys from Atlanta go out for a once-in-a-lifetime weekend to experience the Cahulawasse River before a dam is built across it. They get an awe struck peek at the landscapes and its strange inhabitants who look like they lived unspoiled from the outside world for generations--same DNA, reused supplies and all. The lead of the group is Lewis: a hobby outdoorsman who tests limits and pushes buttons. His confidence is the size of the river itself but he also has a philosophy he abides by to fine tune his survival sense in case the modern machine society's built up fails. Ed looks up to his buddy but falls short of his staggering shadow, while the two other friends, Bobby and Drew, are straight city slickers in a far removed world that take the brand new adventure in stride.

Ed and Bobby split up with their canoe and take a break to the side of the river when they meet two demanding locals who have more knowhow of the loaded shotgun they're pointing than how to operate a toothbrush or subscribe to soap. Instead of the usual "You're trespassing" they get a "Now let's see you just drop them pants" from one of the crusty toothed men with a deviant look in his eye that's usually given to a girl on lover's lane. They get violated and thrown around but then gain the upperhand and kill one of the captors in self-defense while the other runs away. A debate ensues about what to do with either reporting it to the local law, who are probably in relation with each other, or burying the body in what's to be the new dam area. They want to put the horrible and humiliating situation behind them but their real issues have just begun: from pretending to be in survival mode in the beginning turns into the real deal from not only the unfamiliar wild but the escaped hillbilly who got away and knows the lay of the land better than any visitor could hope.

The structure doesn't follow a strict platform like other pictures. It starts out on a high note with fun and adventure, jumps right into its climax midway through, then slows down to make room for the dramatic as you get to know more about these men's lives with some emotional scenes. One could say the filmmakers put all of their energy in the beginning but another way of looking at it is what we represent on the surface isn't always who we really are. Usually it takes a stressful situation to put someone outside of their comfort zone to see their real personality come out: hence giving the usual proper introductions might have been fake anyway. The film did that so well that it even surprised the characters at what they were capable of doing due to switching to a primal state in the stark wilderness from living cooped up in the city and suppressing who we really are as a species. This gives a share of interaction with the audience in that it presents a number of "What would you do questions?" Your answer might not be any better than their's but it still creates an engaging experience to get wrapped up in. One that's both dangerous and enlightening and shows who really has it in them when the going gets rough. What would you sacrifice for your friends? Would you go outside the law? Commit retaliation?

Burt Reynolds has a sense of command with his role as Lewis, in that he rarely lets his guard down or lets it be known what he's thinking or going to do next. Jon Voight plays the middleman of Ed who's in between places but is forced to make the transition to the next level. Ned Beaty, as Bobby, represents the average me or you character in the way it's so much to handle that it hasn't even fully hit him. The filmmakers are capable of putting the viewer in the then and now with some authentic scenery, genuinely odd inhabitants to regular Joes who found themselves in the midst. There's some beautiful moments, tense situations and some surprises about the experience. What stands out is how nature can remain immobile when there's human turmoil amongst it. It's not judgmental, yet we seem to do what we want with it, when we want.

Rating: 9.5/10

Director: John Boorman (Point Blank, Hell in the Pacific, Leo the Last)
Stars: Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, Bill McKinney, Herbert Coward
Link: IMDB

Pig Hunt (2008)

Pigs are far out, man

Combining aspects of "Deliverance" with backwoods folks and a sense of adventure, along with "Razorback" and a setting with a life of its own and a legendary creature hiding in the midst, "Pig Hunt" produces a mishmash of genres that's more fun than completely serious with a hippie cult that's both prone to Zen and violence thrown in for good measure.

A man with the fitting name of John Hickman heads out to his late uncle's ranch in the sticks with his girlfriend and three other friends from the city for a hunting weekend. Their first stop is the general store that leads them to the legend of the Ripper--a supposed 3000lb pig--as well as a confrontation with a muscled, sword-wielding guy who looks like an ancient warrior walked into the wrong movie or thought he was at a convention for "Xena: Warrior Princess." The area isn't known for its steady employment, so a share of the dwellings look run down and lived in by dirty, grumpy rednecks who use the local forest for perfecting their aim at the animals.


They tentatively team up with John's two old childhood friends who've since took the path of drugs, alcohol, cruelty, perversion and good ol' hunting in between to everyone else's discomfort. There's a share of posturing with each person thinking they're the best to the point of a who-can-puff-out-their-chest-the-biggest contest rather than who can actually shot the straightest. There's a building tension in the air that could burst at any moment that's both annoying with no one but John and possibly his girlfriend Brooks, who's proving she's got the stuff, to lean on with a backbone. But it still proves to be somewhat engaging as to who or what could set off the balance thinly held together by condescending remarks. Soon enough the boars are called, someone gets injured, human remains and marijuana crops are found, and then ulterior motives come into play. The characters go separate paths and it turns over to a human on human blood sport on someone else's turf. Though there's a third party lying in wait that makes the local degenerates in town look a few steps closer to normal.

The third act feels a little underrealized but still comes as a surprise and carries some mystery about how, where and why. Though it's most likely for the best because the more it's thought about the less it makes logical sense. Some of the transitions and editing have places of awkwardness but a share of events flow from one heated aspect to the next. There's some subtext attempted with John and a past in Iraq but then it's dropped to keep it more in light of exploitation. "Pig Hunt" is not a movie that causes the brain to kick in but hits enough surface sensations to keep the popcorn moving from bowl to mouth without pause unless it's a choke or a what-in-the-heck remark. The quicker pacing doesn't give time to scratch beneath the surface but a number of in-the-now events happen to keep one's attention locked and focused with surprises and a share of uncomfortableness about being so far from home and encountering unwelcoming people that seem like from another place and time. Like "Razorback," the wild boar is shown the least amount while the human characters are developed more till they meet up. Les Claypool, the frontman from the band Primus, layed down the music and played a smaller part as a "preacher" who lets his gun do all of his sermons. The soundtrack is a mixup of almost genreless music apart from itself with unconventional and discordant layers and an almost boondocks feel with an acoustic and gibberish twang.


This is more of an offbeat adventure-thriller than an outright horror, but that doesn't stop it from including point blank injuries and a share of gory wounds anywhere from knees busted in to eyes gouged out. "Pig Hunt" is no doubt an out there story that's about as unlikely to happen than being held hostage by a group of clowns robbing a donut shop with flamethrowers, but this is never short of something bizarrely humorous or to leave one ill at ease, not to mention some individual characters with their own personality to remember, while others can be forgotten but were most likely there to up the body count which us blood-thirsty viewers crave.

Rating: 7/10

Director: James Isaac (The Horror Show, Jason X, Skinwalkers)
Stars: Travis Aaron Wade, Tina Huang, Howard Johnson Jr., Rajiv Shah, Jason Foster, Nick Tagas, Bryonn Bain
Link: IMDB

From Dusk Till Dawn 3 (1999)

Rough and pale riders square off in the past

I originally rented "FDTD 2" and remember turning it off for lack thereof to the original. Similar to "Exorcist II" missing the mark and losing the essence of the first, I didn't even give the third part a chance for a while. "From Dusk Till Dawn 3: The Hangman's Daughter" moves at a much more steady pacing than the mentioned and has a story that is richer with legend. This is a western/horror prequel that includes some characters from the first film but set a hundred years ago in Mexico with additional outlaws and more folks that just got mixed up at the wrong place at the wrong time.

A man named Johnny Madrid (Marco Leonardi), who looks to be doomed by the fate of a broken neck with a crowd of onlookers, is walked to a podium and first suffers the whip of The Hangman (Temuera Morrison). He escapes with the help of a younger friend and shoots his way out, but not before kidnapping the ruthless executioner's daughter Esmeralda (Ara Celi) who radiates a comely look and innocence opposite of her scarred face father. The younger friend, Reece, wants to join the newly formed gang of Johnny Madrid and gives him information about a cynical writer by name of Ambrose Bierce (Michael Parks) who is set to trade Pancho Villa something valuable to his revolution. Madrid and gang catch up with Bierce and a religious couple riding in a stagecoach. They knock them around and steal their belongings, only for everyone included to catch up at a bar/whorehouse later where every vice imaginable is taking place, and, of course, a deadly trap awaits when some blood is spilled.

The western/adventure aspect was handled pretty well with some decent enough acting and performances. Michael Parks, as Bierce, gives some charisma to the role with a certain wit and a pessimistic outlook, along with strange visions that give him a kind of mysteriousness--possibly due to alcoholism--or something else? Marco Leonardi brings some fun to his character of Madrid, even if you can't take his persona as the toughest outlaw to ride despite the scruffy facial hair and bladed boot. There's some gory scenes that make this one of the bloodier westerns out there--the Italians would be proud. This has a share of setups and a consistent pacing when it comes to action sequences instead of milking a certain set for budgetary reasons. There is also some atmosphere at times to show that there isn't anything but antiheroes out on the harsh, dusty terrain--just a you or me attitude.

For the latter portion the characters end up at what looks to be a slice of heaven with a saloon/whorehouse. By this point the setups were handled with less of the steady flow and tact of the earlier portion by instead going for an all-out, in-your-face delivery. Where most of the humor was somewhat dry before then, they threw in Orlando Jones as a salesman with a lisp and he seems so out of place, it's as if he just got off the set of a Mad TV skit without switching tones for the movie he's in. There are a share of extras and they don't always seem to be coordinated, as it feels like a free-for-all with strobe lights to add to the confusion of vampires gone wild. The first film jumped right into the horror portion as well and threw out some tongue in cheek humor. Though here the horror aspect feels like nearly a complete joke and a parody of itself, not to mention it's hard to take it seriously with soap opera looking lighting and with some of the props looking just shy of what you'd get at the Halloween store with styrofoam and painted on stones. It takes a complete miss on any suspense of the survival horror aspect and concentrates more on gags.

Looking at director P.J. Pesce's filmography with some westerns and action films, he feels out of his element with the horror portion. Yeah, there's some nudity, vulgarities, fights, more gore and vampires running amuck for amusement, but it also feels like it immediately got cheapened. The most to get out of this section is some character change away from the straightforward, and then a momentary twist regarding Esmeralda, which gets somewhat buried to concentrate on the others. There's tragedy in it, but it goes by so quickly as to be unrecognized.

Rating: 6/10

Director: P.J. Pesce (The Marshal TV series, The Desperate Trail)
Stars: Marco Leonardi, Ara Celi, Michael Parks, Temuera Morrison, Jordana Spiro, Rebecca Gayheart, Danny Trejo, Orlando Jones
Link: IMDB

Turistas (2006)

When vacationing turns into survival

Enter Brazil: a beautiful and strange country to a foreigner with exotic wildlife and a mixed bag of locals who speak a flavorful tongue. A paternal brother looks after his sister and her friend while vacationing on the north eastern side of the country, which is a fantastic sight to behold but spells trouble for the on-screen characters as there's less wealth and modernization than the other states to the south. You don't need a translator in Portuguese to realize that means less help. Think of "Turistas" as something along the lines of a tropical version of "Tourist Trap" and "The Hills Have Eyes" that instead focuses on adventure and the natives than on the weirdos and grime.

Degue fever, favelas and rip currents didn't get these turistas, though right from the get-go danger lurks from a near fatal bus accident due to a reckless driver. This puts a damper on their plans as another ride would take half the day to pick them up. A secluded beach front seems like the better idea in the downtime with a full bar, attractive locals and fun and games. That is until they wake up groggy, not just from an alcohol hangover, but from spiked sedatives in their drinks. All of their possessions are gone, as well as their ride home. A young guy from last night named Kiko offers to take them to his uncle's house. After trekking for hours through the jungle, they scavenge food, drink and clothing and await the arrival of the uncle who's been shown all the while in different scenes interacting with others with a controlling and violent temper. At this point, getting back their belongings and going home is the least of their worries.

There isn't enough time for character development, though "Turistas" has credible acting and natural bonding between the cast for the steady pace it moves at. This sets up shreds of momentary believability for a total foreigner entering this large tropical land full of beauty, mystery and potential danger. This is a play on what "Deliverance" did back when it came out for folks who live in backwoods country in the United States, even if both circumstances are very remote from happening, as it's cinematic entertainment that focuses on the unusual and one can't look too far into it or let it spoil their future vacation plans. This is an adventure-thriller that injects shocking horror that includes some explicit gore in the unrated version. This has suspense that radiates with gripping tension as you witness these people go into survival mode. The story had an inevitable turn out, though it doesn't feel as manipulated as others that have borrowed the formula, as some of the specific trials and tribulations they go through have potential to put you in the moment with them.

Rating: 7/10

Director: John Stockwell (Crazy/Beautiful, Blue Crush, Into the Blue)
Stars: Josh Duhamel, Melissa George, Olivia Wilde
Link: IMDB

The Great Alligator (1979) - 3 of 3: Westerners in the Wild Trilogy

Their god is an angry god

"The Great Alligator" is an action-adventure film that takes advantage of the tranquil scenery, humble natives and beautiful wildlife...except, of course, there's Kruna, a monstrous alligator or divine creature, that decides to go on a rampage after its habitat gets turned into a money-making machine of a hotel and resort. Take heed westerners: don't mess with nature and it won't mess back.

This takes place somewhere on an isolated island with the only way to get in or "out" being boat or plane. The local inhabitants have their rituals and superstitions, and the encroaching vacationers have their drinking and dancing to get on with. The hotshot photographer, played by charismatic Claudio Cassinelli, gets a whiff of something ominous in the air, as well as the employees work discreetly behind the scenes to investigate these mysterious disappearances. Although at that point it might be too late.

There are realistic characters and a few straightforward struggles are thrown in the mix between the humans. Though the alligator is the big attraction here and its on-screen presence is more comical than scary, as instead of being portrayed as this mysterious, what-if beast it almost becomes a caricature along the lines of "Jaws 2" where it can be anywhere and everywhere. The effects in wider shots make the gigantic gator a paralyzed battering ram as the molding used to make it doesn't flex an inch. Indeed the movie set out to be serious, this isn't going to be the equivalent of a modern day Sci-Fi channel creature feature, but it's still hard to ignore that the main attraction isn't able to even remotely nudge the safety barrier away from its audience.

Rating: 4/10


Director: Sergio Martino (A Man Called Blade)
Stars: Barbara Bach, Claudio Cassinelli
Link: IMDB


Facts from the Black and Red:

- Alligators are only indigenous to China and the US.

- Alligators are unidirectional breathers.

- Alligators have been known to attack humans in self-defense, even if they don't regard them as prey. Though they are known for eating their own kind.

Island of the Fishmen (1979) - 2 of 3: Westerners in the Wild Trilogy

Island of the goggly eyes

This ambitious film is set in the 19th century, gave a dab of action-adventure with mythology to boot, some shocks of horror and a nod to science fiction if that wasn't enough. "Island of Dr. Moreau" it wasn't entirely, though the initial premise is no doubt given nod to.

The zoom ins, dated synthesizers and blatantly overdubbed sound effects that usually came with campy Italian cinema can give these pictures charm like no other. However, the inconsistent creature effects and cringe worthy miniatures unabashedly shown in close-ups, instead of rolling in the fog or covering up with shadows, were just asking too much from a viewer's imagination. Most of these films have flaws from cheap production to speedy filmmaking, mirroring what was done in the '50s/'60s, but it's just a matter of how many you are willing to overlook (especially by '79). If really easy, this could be more up your alley. If not, take the detour.

The acting and even the English dubbing were of decent and serious caliber to moving this along without being one giant accidental farce; which leads me to believe the producers gave the green light with a tight cast but without realistically scaling back their overzealous production costs. The owner of the island was villainous though a charming and eccentric gentleman, his former Bond-girl (Barbara Bach of "The Spy Who Loved Me") wife was an exquisite treat to look at, and the guest of honor, that got there from a shipwreck, was a commanding and confident presence on screen.

"Island of the Fishmen," aka "Screamers," was not as mystifying as set out to be as an adult fantasy film. Applied to the goals the filmmakers had and their ability to realistically pull them off, the old idiom "less is more" usually works better in these cases, otherwise it's a challenge to step in with both feet and truly let yourself go minus the unintentional smirks.

Rating: 4/10


Director: Sergio Martino (Torso)
Stars: Barbara Bach, Claudio Cassinelli
Link: IMDB


Facts from the Black and Red:

- Actor Claudio Cassinelli died in a helicopter accident in 1985 while on location in Arizona for another Sergio Martino movie called "Fists of Steel/Hands of Steel."

- Mudskippers, snakeheads and Senegal Bichir are fish that can survive for periods outside of water.

- The 1912 accident of Titanic had a total of 1, 517 lives lost, making it one of the most fatal peacetime disasters.

The Mountain of the Cannibal God (1978) - Part 1 of 3: Westerners in the Wild Trilogy

You never forget the taste of human flesh

"The Mountain of the Cannibal God" is an action adventure film intertwined with intrigue, shock and candid looks at nature and those closet to it. This is far from other films that share the tag as this goes for realism rather than fantasy or heroism, is a party pooper when it comes to fun, and is steady with violence and gore to appease a depraved fan of horror compared to someone looking for a safe and easy ride in the jungle.

This is going for a documentary feel with an intimate look at how beautiful and cruel the wild can be. A group of brave westerners with some natives are assembling a trek to this mysterious, remote mountain in New Guinea. When the urbanized natives steer clear and give warning even if it means saving someone, take heed. Though the party members are tightening their boots and stuffing their packs with purpose no matter the peril. But maybe that's because they have their own hidden motives to drive them forward or that cannibals are just things for the imaginative daydreamer. Just maybe.

There's credible tension between the characters as they battle the terrain and encounter deadly animals, along with experiencing inquisitive peaks into odd customs and superstitions along the way. A big sensationalist draw here is there are non-simulated animal vs animal and man vs animal attacks. Its stark and unnecessary realism will be argued from here to the moon, but it ultimately creates an environment where no one is safe and it could be your turn at any moment, so best to keep a blade handy and one eye open when you sleep.

Time is taken with "Cannibal God" to pace the story and build up surprises. The atmospheric and sometimes downright uncomfortable music leaves emotion on the screen like another appendage of the actors. This is structured so the audience feels the tension as much as the performers do in the moment it's occurring. It gives the film a sense of believability over other Mondo cinema that falls short of maintaining that the events taking place could actually happen. Compared to "The Great Alligator" and "Screamers/Island of the Fish Men," this is by far the best in the Sergio Martino, as I like to call it, "Westerners in the Wild Trilogy" starring the late Claudio Cassinelli due not only to a bigger budget but most importantly a more refined focus.

Rating: 8/10

Director: Sergio Martino (The Case of the Scorpion's Tail)
Stars: Ursula Andress, Stacy Keach, Claudio Cassinelli
Link: IMDB


Facts from the Black and Red:

- Cannibal derives from the Spanish word "caníbales" for the Carib people.

- Michael Rockefeller--son to former NY Governor/Vice President Nelson Rockefeller--mysteriously disappeared in 1961 in the New Guinea area while researching a tribe called Asmat that were known for cannibalism and headhunting.

- Survivors from Uruguayan Air Force Flight 571 in 1972--after running out of their only food and with nothing to hunt or gather in the cold climate--ate the flesh of their dead friends for sustenance.