Thursday, December 27, 2018

Fist of the North Star (1986)

Hope is not on the horizon

By: JWBM

As the dominant species with intelligence on earth, we often contemplate altering our genetic make-up to transform ourselves into more than our destined path would have been: whether that be holding on to our youth, filling our brain with more knowledge, or making every attempt to further our physical abilities. Now take the world going into a post-apocalyptic age, where those with excessive physical strength and ability become a chiseled symbol of supremacy. Men with immeasurable muscles and the demeanor of true scumbags, are now treated with genuine fear and almost like false gods.

We fight for food and water, we fight for mating rights, we fight for territory, and, at other times, we fight to see who's the best. With a little bit of all of the above, "Fist of the North Star" opens up to a testosterone laden world of sheer savagery with little end, and puts the weight of it on the shoulders of one man: Kenshiro. He's got a tragic past and scars to prove it, he looks like Bruce Lee had a kid with Mad Max, and, ultimately, he's got a certain genuine inner character balanced with an outer strength that might just be the key to saving humanity from the dark and nearly hopeless path it's headed down. 

What's interesting about this story is it's not saturated with drama of what we've become as humans, it mainly hovers around the primal portion of ourselves on either side: whether we've gone full dark and embrace chaos and destruction, or, in a more rare case, embrace trained violence for the sake of righting wrongs in a lawless world. It's essentially the necessary answer to most problems here; it's also unintentionally comical for how doors are opened, or any bit of property is treated, because at this point who cares. Psychologically, it resonates in the same morbid curiosity of not being able to look away from seeing two thugs duke it out on the streets from afar, to a bigger bully being taken out by a hero of sorts that steps in. I feel that connects with our deep-rooted instincts in that we don't want to admit it's there in this day and age of technological advancement and emotional suppression. Take for example, when was the last time you said hello to your neighbor, versus when was the last time you wanted to say something angrily to your neighbor? This uses the bleak and barren backdrop to take several steps back to where it all began.

The animation was fresh, creative, and original for its time. It makes the scenes pop, and the interactions feel that much more powerful. Some detailed painted backdrops are used to show the lifeless and soul-crushed state of the earth: buildings are a vague reminder, along with any shred of green or blue. Other scenes offer up wide-eyed surprises when it comes to the fight choreography and certain character's abilities. One of the coolest characters here is Rei, who has an ability to slice his opponents into a series of pieces in these atmospheric slow motion cut-away shots. An interesting note is the change in picture quality for the extremely gory scenes; apparently the original version was lost and then later spliced together.

This is a simple tale that works due to having an epic feel to it. Being a condensed version of a multi-part manga, there are portions missing in between that would connect the dots better, though it still maintains an emotional connection to the roles, along with manages to steer from being just a black and white approach to good and evil. This takes your typical fantasy story of fate and what's written in stone, and then inverts it from the unexpected and what was "supposed to happen." You'll want to either root for the anti-heroes, or possibly even transform into them yourself to serve up some crude justice.

Rating: 8.5/10

Director: Toyoo Ashida (Vampire Hunter D)
Info: IMDB link
Trailer: Youtube link

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