Tuesday, February 5, 2019

Fear Level (2018)

An anthology on fear and morality

By: JWBM

This ambitious project has different moods, shades, and masks it alternates throughout. It begins as one thing, branches off into another, and before it's over you're able to walk away with a cloudy head—for better or worse.

The story explores interconnected stories specifically related to irrational fears of various types: from ones that are grounded—such as jealousy—to others that are out of left field—such as killer clowns. It begins with purpose and intent, like a Ted Talk went out and produced a drama-horror movie by showing how this emotion us humans call fear can consume us or bring down others. Then at some point it does a 180 and goes full dark and abstract. It has a sense of sadness, tragedy, and terror, like a doom and gloom segment of the local news met an episode of "Tales from the Crypt" by showing grave consequences of choices gone wrong in the blink of an eye.

This comes with more intent and meaning than your typical horror feature. I dig the theory behind making this, though I wish I could have enjoyed the actual experience more all the way through. It handles some aspects well, such as the dramatic segment about a girl gone missing. The score, pacing, and acting were well done. The mother did a fantastic job of conveying melancholy and desperation to a realistic degree. Though with others, its meaning can be seen a mile away. Such as the over-the-top religious fanatics being bigots in one way, shape, or form. Or the racist gang straight out of a rated R cartoon.

The film has an experimental quality that helps set itself apart, yet it doesn't always come with a careful refinement to seize every moment. For instance, the camera angles and movement in the first few segments are often disorienting and confusing on where its main focus lies. It shifts around so much that it calls unnecessary attention to itself and takes away from the interactions between the characters. There are some points where it feels like a ghost shadow boxing the characters. The cinematographer has a penchant for low-to-high shots, extreme close-ups, blur-outs, and people's lower halves can be shown as much as their face. It constantly makes your eyes adjust to focus on what's going on. Towards the latter half of the feature, the set ups start to let the characters take hold of the reins more and it seems more fitting to the experience.

Instead of being treated by, say, a haunted house maze under the banner of a main, tangible villain, this uses our own actions and choices to battle against us from anywhere. That in itself is a unique concept. You get a taste of this and that, with the central idea to give an overall sour feeling that will carry over after everything is said and done. In order to pull that off, there needs to be a certain steady focus to explore those deep rooted thoughts and motivations, which would lead to some common ground, relatability, or connection. The director takes on one segment at a time, but I can't help but feel a slight disconnect. For instance, I'm not going to be irrational enough to the point of paranoia, or even angry enough to commit violence against a significant other. Others certainly might though. Convince me.

With shorter segments and an ambitious overview, it tries to fit it all in while not always being on top of everything. The last half of the film compared to the first—while creative and came with a darker edge—went from walking on concrete to attempting to tread the clouds off on its own. One half of me wants to say that it was an unexpected turn, while the other half of me wants to say the writers didn't know how to wrap this one up so they buried their final intention under a few feet of effects and dream-like imagery. Splitting this into a few less segments might have worked better to develop the characters more, not to mention for the audience to get behind and fully invested in each idea as it passes. Juggling this many themes and varying personalities reduced the feature to convenient extremes, or viewpoints that are more predictably black and white.

Rating: 4.5/10

Director: JD Allen
Info: IMDB link
Trailer: YouTube trailer

No comments:

Post a Comment