Their flashbacks have flashbacks"Sutures" is setup with layered flashbacks to tell its constantly revolving tale along the lines of a thriller, though this takes a gruesome turn and gives its salutes to recent horror such as "Saw," "Turistas" and "Hostel" if still not being exactly alike.
After being found wounded, a traumatized woman is admitted to a hospital where she proceeds to tell a detective her story about her friends of late twenties--three guys and three gals--who went on a retreat to a remote lodge. Does some hillbilly attack them? Do their cell phones inconveniently die? Not quite, the dwelling is a small castle--you read right--and the only backwoods fellow turns out to be much friendlier than "Texas Chainsaw" and "Hills Have Eyes" guys. Instead, the out-of-reach area is used to the advantage of a mysterious, dressed-in-black man who's simultaneously comely but dangerous; think "Dust Devil" meets "Vampire Hunter D." They're rounded up and then the tortuous fun begins at a clandestine location that harvests organs on the black market.
There's little quips and humor used to break the ice, and then, of course, there's explicit blood and gore inflicted after getting an introduction to the characters. It's cringe worthy and there are logical explanations for it--e.g.: anesthesia leads to traces in the body--though it's hard to say if the filmmakers effectively set up fellow feeling or even believable scares, as it moves so fast that there isn't enough time to scratch the surface of their personalities or even show that a scenario or place of operation could exist like this. Kidnapped while in your own backyard or getting caught in a tourist trap in an unfamiliar third world country seems more threatening. The remote location is more tongue-in-cheek to backwoods flicks and the scenario is more chance than premeditated. Not the stuff nightmares are made of as it doesn't put the audience in their shoes.There are not only flashbacks of the woman in the hospital telling her story, but also flashbacks within flashbacks to show even more backstory. It gets confusing as to the what's what and who's who, as it jumps back and forth and injects ambiguous dialogue to throw the viewer off in the meantime. Not to mention a key character appearing drastically different than when they were younger/older, and not explaining how certain siblings were conceived stunted surprises. For what it's worth, the film was steadily paced and did manage to cut away any hanging fat. Conflicting: yes. Boring: certainly not.
I've served my sentence with a lot of low-budget and shoe string cinema in horror, so I got a chance to see the worst of the worst in passing to hopefully see the best. This, however, falls somewhere in between as it was filmed professionally with some handheld and even crane techniques. The cinematography was well thought through and even helped set a little bit of mood. There's no poor overdubs that were recorded in a non-reverbed room, or can't-see-you lighting lapses. The acting was pretty consistent and believable, especially with a really charismatic, over-the-top villain played by Andrew Prine who acts like a stage performer with an audience. This started out more promising, though the mechanics of the story caused it to jump ahead of itself and brought down the significance and impact of the rest of the picture.
Rating: 6/10
Director: Tammi Sutton (Killjoy 2)
Stars: Andrew Prine, Jason London, Carlos Lauchu, Allison Lange
Link: IMDB
