Showing posts with label villain: prison guards. Show all posts
Showing posts with label villain: prison guards. Show all posts

Thursday, September 22, 2011

Story of Ricky (1991)

Bullies beware!

This was a Hong Kong made martial arts film that was based on a Japanese manga. The result was a mash of cultural ideas that came with relating points for either society--unlike the usual competitiveness and animosity towards each other--and then who could forget plenty of violence that came out of the collaboration. If someone in passing just says "Story of Ricky" was gory it would be doing it a disservice, because this is quite possibly THE goriest martial arts film at that point, that's even over "The Street Fighter," "Lone Wolf and Cub" and others in the '70s when rabid audiences wanted to see copious amounts of blood shed when fists and blades connected with soft human flesh. This is more in line to the '80s ultra violent Japanese animes that took the fascination of carnage further such as "Fist of the North Star" that weren't as limited by what movements and characteristics they displayed. As a live action feature, the budget is going to be less grand in scope, though this still manages to capture some of the over-the-top and colorful scenarios that are usually only done in inked pen. Essentially you can transparently see its limitations at times but it still doesn't stop it from being effective and intensely entertaining partly because of those setbacks.

In 2001, all forms of government have become privatized and turned into franchises, including prison systems. It's the future mainly in mindset as it hardly looks like it apart from a few different aspects switched around. The prison is headed by a rich warden, his power hungry assistant, nameless guards and then four gang leaders in charge of their own cell block to keep fearful inmates in line. A bus full of new prisoners show up and regulars attempt to treat them as fresh meat. One of them stands out, Ricky, a complete mystery with superhuman strength and a strong conviction to the point of feeling no pain except when it comes to reference of his girlfriend, not to mention he's an expert flute player to the point of playing in perfect key and harmony with nothing but a leaf! He doesn't need an entourage to back him up, as each one of his limbs counts as a mini army anyway. You could probably substitute his name with any one of the current Chuck Norris jokes. The movie is ridiculously cruel and violent by making some of the worst prisons in the world look like a daycare center. The weakest literally get beaten into the ground until they're nothing more than helpless shells of themselves. Ricky shows up as a modern superhero with a strong distaste for bullies, which is how he got there in the first place, with bullets in his chest as a souvenir to show for it. There are some flashbacks that show Ricky was once in an overly happy, positive state. He's more an antihero than the usual Marvel or DC superhero fare that US readers are used to, though he still comes with the bulging muscles and rules to govern his conscience despite not being afraid to get his hands dirty from time to time.

This is kept fairly simple in that it's more a series of events than a typical layered storyline. Essentially Ricky has to single handedly dismantle the corrupt prison system by acting as a self-sacrificing martyr for a widespread epidemic that's gotten out of hand against other human beings. Part of that doesn't always work towards justice or righteousness as they're all criminals first and foremost, though the film does emphasize a few that were wrongfully locked up. Ricky doesn't always just jump right into the carnage as even taking the life of an enemy is still a life taken. He's more a televangilist's best friend with a tendency to cripple and humble his opponents, since he realizes in order to make a form of peace blood must be taken. There are more veins exposed and guts spilled than your everyday janitor would care to clean up. Punches don't just bruise, but decapitate and rip through mid sections. Makeshift weapons are plunged into people in the most cringe worthy and tortuous fashions. If there is a message to it, they nailed it home and then some. The special effects are all over the place with quality. Some of the simple wounds get the job done of looking nasty, though others, such as model faces and bodies, you can blatantly see its limitations. Especially when someone grows Hulk-like strength, it's hard to tell if it was on purpose or they just ran out of money and didn't want to cut it out of the script. Then again, this style of movie isn't going to be appeasing to a large share of audiences and that usually means less backing for all that snazzy stuff.

For what the story lacks, the over-the-top characters carry their own. There's the assistant warden who is so fat and greedy that you can't help but not like him. There are the gang leaders who have flamboyant dress and unusual abilities up their sleeves to keep things amusing, either by accident or on purpose--probably both. The synthesizer music ranges from fumbling around with filler to actually producing a harmony on occasion. The opening piece reminds me of some of the horror scores by Goblin from the '70s/'80s--maybe it is, you never know with Chinese films. "Story of Ricky" often falls short, but tries so hard while at it that it's easier to overlook its many faults and setbacks. The performances and English dubbing are going to catch more laughs than some comedies due to being the epitome of boisterous and exaggerated to make a point--the film doesn't know what the word reserved or subtle means, but who says it needs to? On the other hand, this has an enormous amount of random surprises in the form of contraptions and scenarios, inventiveness, style and enough eccentric characters to get by. This is an off-kilter film that invents its own rules and does things that are downright impossible and unimaginable outside of itself, but it does them well enough towards suspending your disbelief that it often thumps logic where other films would fall flat from some of the same shortcomings.

Rating: 7.5/10

Director: Ngai Kai Lam
Stars: Siu-Wong Fan
Link: IMDB

Tuesday, August 9, 2011

The Experiment (2010)

The power hungry, the pacifist and the conformers

This is a film with a message about losing sight of what it means to be a civilized human being in modern times and if violence should equate into our decisions and motivations when interacting with each other. It goes beyond the usual white lab coat behavioral experiment when an elaborate scenario is created that takes a group of participants, who want to make a chunk of change, by simulating the conditions in a state penitentiary for those who've never been in to demonstrate if power would be abused.

After Travis (Adrien Brody) gets laid off from a nursing home, he protests a war and finds love. She wants to go to India, he doesn't have cash, so he spots an ad in the paper offering $1000 a day for an experiment. How hard could it be? Soon enough the participants fill out paperwork (easy), get individually interviewed (sounds fun), put through visual tests (not so great) and then sit through an orientation with a speedy talker (show me the money!). He makes it all sound so "safe" and "secure," expect a clue comes when he slips in that some subjects will be deprived of their civil rights. Get 'em to say yes a bunch of times and anybody making a pitch won't have any trouble dodging that no. Off they go.

They're brought to an isolated location and are to be locked in for two weeks by themselves with only cameras to watch. The test subjects are divided into two groups of guards and prisoners and given specific rules that they must follow or else nonviolent disciplinary action is to be given from the guards. If the guards don't follow accordingly a red light will be turned on in 30 minutes and the experiment will be terminated resulting in no one getting paid. Some focus on the money and block it out. Others can't handle the stress of dropping what pride, beliefs and creature comforts they had beforehand. And then there are those that take it a little too seriously either because this is their chance in life to be taken so or they actually enjoy taking advantage of others when granted the go-ahead from a higher authority. Soon enough the weaker start to fall in line and the stronger step out in an attempt to stand by their points. Two personalities collide on opposite sides with Travis (Adrien Brody) representing the prisoner's rights and Michael (Forest Whitaker) helming the guards with no-nonsense, totalitarian order.

Part of this was based on the real life Stanford Prison Experiment conducted in 1971. However, there are some differences, as this attempts to show how it would have ended up if the head scientist wasn't directly involved in the decision making processes during the experiment, as well as it doesn't have him set a tone to guide a certain way. Results also happen within only a few days out from the start with here poor impulse control such as alcohol abuse, as well as gross humiliations, torture, attempted rape and a few of the guys might have been dictators in a past life with their penchant for well timed out speeches. Yeah, it's all going to seem exaggerated, not necessarily for what could be done, but how the specific scenes were set up as it didn't completely put the audience in their shoes and its believability starts to dwindle after more and more scenarios are stacked on.

It's strange to set this in modern times, as there are stricter ethical guidelines and background checks that would test for mental instability and diseases due to the original experiment. It made it seem like these trained professionals went out of their way to deceive and purposely show inaction to see results without actually explaining or showing why--by being kept completely in the dark, it almost makes them diabolical. Not to mention if there weren't several dominating personalities in guard positions (which seemed to be purposely put there)--or even prisoners who took it seriously at first, however you look at it--it's questionable whether this would have gone the same.

They didn't try and make this an exceptional case out of a bunch, but the only one tested apparently, which isn't enough to see if it was just a fluke. It seems over-elaborate to jeopardize their professional careers as there are now established rules in place; as well as for the sum of money they were giving out and the design of the facility to put all their eggs in one basket. It also only shows how a set of people temporarily put in authority positions will react in the heat of the moment resulting in their perspective being off to find a reasonable middle ground--rather than in a real and established prison system that would have a guideline in place from an extended period of trial and error.

The ending winded down a little too easily as they were well behaved going in, animalistic inside, then instantaneously regretful, so the filmmakers could quickly put the blame elsewhere for what the participants did. As a cinematic experience that goes for entertainment value alone, "The Experiment" has some particular areas where the actors shine, has a steady pacing that wasn't in one area for too long, and it still left room to think about some "what if?" questions even if it seemed to have somewhat of an agenda that leans towards a certain side at points. Though it's a movie where more of it seems fine at first as everything is happening so fast, but when the brain settles down afterwards too many questionable things occurred and it might make one's head spin more than inspire productive debate.

Rating: 3/10

Director: Paul Scheuring (producer/writer of "Prison Break")
Stars: Adrien Brody, Forest Whitaker, Cam Gigandet
Link: IMDB